These two sketches conform, unified, one only spectacle that the rebellion operates as preamble and the heroes as epilogue. Thanks to the by-play, the first combines simultaneously the puppets with the puppet theater, creating in this way a very funny and burlesque relation among puppets and puppeteers.    ARGUMENT In the puppet's rebellion, they, tired to be handled for their creators, they decide in the beginning of the act to invest papers, converting suddenly the puppeteer in a cajoling and ridiculous puppet.

After successive and picaresque struggles, the play concludes underlining that, finally, tries to exercise a healthy individuality, guided for the transparent prism of the tolerant coexistence and the no authoritarian harmony.

A fable without moral is The heroes that defeated all except the fear, without good neither bad, without conquerors neither beaten. In it, various animals - among themselves a stubborn and sleepyhead toad and two nice worms - come into conflict for a bridge's possession, than serves as bed to some and to others, of indebted place of gateway. Begin thus a relays game, it is which only a pretext to narrate a simple but beautiful story, where the absurdity and the puppeteer humor drag along with their dynamism to achieve the spectator's spontaneous participation.

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