|
It is a homage to the child, to the game and to the puppeteer. To the
game, to be the sacred territory of the joy and the free flowing of
the senses. To the child, to be the inhabitant privileged of so
singular world, in a more and more overwhelmed land for the mass
production's deliriums. For
its contents and form, the play is at the same time a trap and an
optical illusion, in the manner of a concentric cobweb that wraps
the spectator. |
 |
ARGUMENT
In this play, two
devilish children – Tito and Tato – become absorbed in a fantastic
world and lead the spectator along the road that conduces to the ludic
country.
 |
In
this universe, where the surprise and the adventure invades the
sharp frontiers of the cold reality, the ludic spirits are
undercover and mischievous beings that hide behind the folding
screens, with the intention to hypnotize and to perfume with the
dramatic game's fragrance the heart of the prejudiced adults, that
contemplate as a ridiculous loss of time the idle beating of wings
of the children. |
| . | |
| SCRIPTS | Iván Darío Álvarez |
| GENERAL DIRECTION | Cesar and Iván Darío Álvarez |
| PUPPETS ELABORATION | La
Libélula Dorada Staff |
| PUPPET'S PERFORMANCE AND MANIPULATION | Cesar Álvarez, Iván Álvarez and Javier Gámez |
| LIGHTS AND SOUND | Nestor Eduardo Nińo |
|
|
|
| TECHNICAL CARD | |
| Length: | 1 Hour |
| Audience: | Adults and children bigger of 7 years. |
| Equipment: | Sound Mechanism with amplifier for Cd´s. Audiphones. (Supplied by the entity) |
| Sound: | Three wireless (3) microphones Diadem Shure L4 - WCM16 (Condenser Microphone . Given by the Entity) |
| Stage: | Minimum 8 x 8 meters, minimal height 4 meters. |
| Lights: | Ten 1000- watts reflectors each one, ellipsoidal type
36°, 46°, 56°.
Three black light (3) lamps of 40 wats each one. One (1) Strober. (To be necessary they are Supplied by La Libélula Dorada) |
|
This play is only for close spaces |
|
